I never set out to be a stylist — in fact, I didn’t even know it was a thing. But one day I was the dancer in the audition room, and the next I was behind the scenes, pulling looks for the whole cast. My eye for detail, my love of a good “get-up,” and my background in movement somehow blended into a styling career that took off before I had time to second-guess it.
My career began with 8-counts and scraped knees. I lived in rehearsal studios and backstage hallways, but it was the clothes — the sequins, fringe, layers, and storytelling in every outfit — that kept catching people’s eyes. Before long, I was trading choreography notes for wardrobe fittings and building looks that moved with as much energy as the performers wearing them.
I didn’t chase trends or dream of fashion week — I just wore what felt like me. Turns out, that kind of confidence in clothes is contagious. Style found me when I wasn’t looking: through dance, through friendships, and through a hundred little moments where people saw something in my personal style and trusted me to bring it to their vision.
Let’s get one thing straight:
Style has nothing to do with budget.
Some of the most fashion-conscious, visionary people I know can’t afford couture — and let me tell you...
Some gigs you book.
Some gigs book you.
And some… drop you right into a NASA spacesuit situation without warning.
This is one of those.
Every season we’re hit with a fresh wave of “must-haves” ballet flats are back! Red is the new black! Skirts are longer, jeans are baggier, minimalism is over. But who’s deciding this? And why do certain trends suddenly feel everywhere , on runways, on TikTok, in Zara windows , all at once?
Mini-Series: The Creative Director Shuffle — Post 1
It’s the headline every fashion season:
“So-and-so is out at ____.”
“Fashion world stunned as ____ takes over ____.”
From Jonathan Anderson jumping from Loewe to Dior, to Alessandro Michele leaving Gucci for Valentino, to Pierpaolo Piccioli swapping Valentino romance for Balenciaga’s edge — the carousel never stops.
Some call it disloyalty. I call it the revolving door — a defining feature of today’s luxury fashion world.
How American Gigolo turned Armani into a household name
When you think of Giorgio Armani, you might picture sleek suits, rich neutrals, and an Italian sophistication that whispers instead of shouts. But Armani wasn’t always a global empire. His big, culture-defining break came not on a runway — but on the silver screen.
How Anna Wintour’s protégé—and Hollywood royalty daughter—is set to redefine an institution
Hold onto your pret-a-porters, fashion fam—there’s a new it girl in town, and she’s not just walking into Anna Wintour’s shoes. She’s bringing her own walk, her own voice, and a certain just-cool-enough swagger.
They don’t make “designer friendships” like this much anymore. Laura Kim and Fernando Garcia are the design duo that went from working behind the scenes at a heritage house to leading two of the most buzzed about labels in fashion. Think partnership, passion, pedigree — and yes, occasionally surprising partnerships (we’ll get to SHEIN).
Knowing when to lead and when to let style speak for itself.
One of the most valuable lessons I’ve learned in my career is this: when a celebrity walks onto set radiating confidence and clearly knows who they are stylistically...take notes, not control.




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